Monthly Archives: August 2011

Who Sees What When Cultures Collide?

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In a damn* interesting piece yesterday at Talk To YoUniverse, Juliette Wade discusses how writers can navigate the differing perspectives of characters inside and outside a culture group.

She uses her own experience as a foreigner in Japan who speaks Japanese “too well,” but lays out a set of general principles writers can use to make the meeting of any two cultures seem more authentic, whether they are writing historical fiction, fantasy, sci-fi, a modern realist tale about culture clash, or even a story about the distinctive culture of a single family.

Enjoy “Insiders and Outsiders.

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* Taking Mark Twain’s advice. Sans editors.

Best First Lines (according to Leith) – Part 2

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In part one, I discussed the pros and cons of insisting on killer opening lines: how it serves the interests of agents and editors more than readers, yet also how a strong first line can lend an air of dignity and confidence to any story.

Today I want to dig into my first list of Best First Lines, six of them, dedicated to openers that present the reader with an engaging idea.

Now, don’t be quick to assume that openers based on engaging ideas are dry, intellectual, and (to writers and readers who like “human” stories) boring. Very often, this sort of opener presents an idea about human relationships, and how the characters you’re about to meet are going to stumble over it.

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Best First Lines (according to Leith) – Part 1

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I have a list of favorite opening lines from works of fiction — in four neat stacks! — but I don’t want to show them just yet. Today, I just want to settle a few things about opening lines.

Ready for a little heresy? Then, you’ve come to the right place. Let’s go!

I realize that this is one of the Ten Commandments of writing advice in this era of slushpiles runneth over, but “Thou Shalt Write A Killer Opening Sentence” is silliness.

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