Monthly Archives: November 2009

Two Links About Me, Myself, and I

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At the Sharp Angle blog, guest blogger Juliette Wade offers up some useful insight into the use of 1st Person in fiction.  Although not a favorite of mine, 1st Person did end up being the approach I took in my first novel, so I found Juliette’s observations interesting… and on-the-mark.

Jesse Kornbluth at Publisher’s Weekly surprised me by repeating three of my opinions about how publishers could face the technological and economic minefields facing them, opinions that I considered outside the pale: publish fewer books, publish better books, stop publishing everything in hardback first.  He also advises writers to do what I would do more of … if I actually had more time: spend more time online with one’s own website and social networking sites.  (And, thanks to Dystel & Goderich for the surf assist.)

Archaic Definition of the Week

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pro’mptuary. A storehouse; a repository; a magazine.

Johnson’s Dictionary : A Modern Selection by Samuel Johnson (1755), ed. E. L. McAdam and George Milne (1963)

The Amalgam Poems

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amalgamA poison seeped into Amalgam’s well
that bit our throats and made our faces swell,
then left us with a fear of what we drink
and cleaning of the well on which to think.

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Word Cloud – The Crow and the Kinnebeck

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As my regular readers (both of you) know, the short story prequel to The Ligan of the Disomus I decided to write in November, “The Crow and the Kinnebeck,”* has reached 4000 words at perhaps one fifth to one fourth complete, and is stubbornly insisting on becoming a novelette. At the least.

The first of eight parts is up now for my First Readers, God bless ’em, but for everyone else let me present a world cloud based on that first part, courtesy of wordle.net.

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* I’m under the impression that keeping the title inside quotes, rather than italicized, will convince it that it is indeed a short story. You know, like trimming a bonsai.

Archaic Definition of the Week

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publishingHANDFASTING * The custom of a couple shaking hands, as the Romans did over an urn, as a means of sealing a marriage engagement, from the Saxon handfaestan.

Forgotten English : A Merry Guide to Antiquated Words, Packed with History, Fun Fact, Literary Excerpts, and Charming Drawings by Jeffrey Kacirk

Category: ADOTW

The Amalgam Poems

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amalgamTwice to the town I named Amalgam came
a man who had a face and yet no name.
His conversation stung us like a bee
and yet he left us healthier than he.

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Category: Amalgam | Tags: , , , , ,

Traces of European-American Contact

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Excavations in Telfair County, Georgia, have uncovered not only remains of a Native American village, but could reveal evidence of Hernando de Soto’s exploration of the area in the mid-1500s, two hundred years before the founding of the British colony of Georgia.  Read the Associated Press article about it here in the Atlanta Journal-Constitution.

Some Publishing Notes

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Today, as I pound out some more pages for “The Crow and the Kinnebeck,”* I just want to throw out a blog entry chock full of agent and author advice. 

For example:

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Archaic Definition of the Week

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publishingPOMPKIN.  A man or woman of Boston in America: from, the number of pompkins raised and eaten by the people of that country.  Pompkinshire; Boston and its dependencies.

1811 Dictionary of the Vulgar Tongue : A Dictionary of British Slang, University Wit, and Pickpocket Eloquence (unabridged) compiled originally by Captain Grose

Best. Query. Letter. Advice. Ever.

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publishing2Nathan Bransford makes it simple: the format of your query letter should be boring and straightforward, and the description of your work is the part you need to “sweat.”  (By the way, I stole copied borrowed the blog title emphasis style from Nathan.)

He also links to two other very good recent blogs on query letters.  Holly Root at the Waxman Agency also emphasizes the importance of good writing over all else, while Michael at Dystel & Goderich downplays the formatting details while playing up the importance of reflecting your work in the query.

For my own part, I was never too obsessed with formatting issues like font or paragraph style.  Considering that I work as an editor in an organization with very strict formatting standards, and regularly kick writers in the face for daring to give me something in Courier New rather than Arial, I can’t decide whether it’s ironic that I’m more relaxed about format than the typical writer (as described by agents) or it’s expected that familiarity with ferocious format issues makes me less skittish in their presence.

But, I have to confess that I aaggoonniizzeed over how to accurately and adequately describe The Ligan of the Disomus in my queries.  Asking for suggestions from the handful of first-readers didn’t help much (thanks, tho, guys!) and neither did digging through photocopies of the original short story version that had been marked up by workshop partners.   “Melville + film noir + X-Files” was the best I got from them, and that just makes you think of an alien sea beast being hunted by Sam Spade.

Actually, come to think of it … symbolically that’s not as far off the mark as I, in my moment of self-deprecatory sarcasm, would have liked it to be.*  It’s … an unusual book.

Given the advice from Nathan, Holly, and Michael, I’m glad that the description is the part of the query I decided to obsess over, even if I’m still apprehensive about how well I captured the story and setting.

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*Confession: the train of thought presented here in regard to the workshop’s description of Ligan actually happened months ago, at the beginning of the query process.  Like a good writer, after rolling my eyes at myself, I tucked it away for later.