This morning, I am sitting here in the Jolt’n Bolt Coffee and Tea House. My laptop is hooked up to the free Wi-Fi and I am online working on my WIP short story. Ah, living the cliché!
I realize that what I’m doing is the premise of a thousand cynical jokes about writers writing in public. The point of writing in public is to be seen writing, right? So that some non-writer will notice us and maybe — please please pleeeease — ask us what we’re writing!?
Well, let me tell you about Jolt’n Bolt early on a Saturday morning. A few people come in, grab a coffee, and head right back out. There weren’t more than a couple people in here at a time until around 0830. The only attention I’ve gotten was from the fine employees behind the counter and one customer’s curious beagle.
This is cool with me, because I don’t write in public to be seen by the public, and I resent (just a lil bit) the amateur psychoanalysis behind the presumption that I am here to engage in writing-as-conversation-starter. And, I bet I’m not the only writer who feels this way, so let me kick this dismissive stereotype in the shins for a moment.
BIG HEADS

This week’s writer links begin with two approaches to critique groups: Becky Levine tells us
Those of you who have bookmarked or subscribed to this blog for your love of the Age of Sail likely already know this … but just in case: the State Museum of South Carolina has just opened an exhibit on “
Topping the list of this week’s publishing links is Kate Harding writing for Salon.com on the (perceived?)
From The Clergyman’s Almanack (1815) as quoted in America and her Almanacs : Wit, Wisdom, and Weather 1639-1970 by Robb Sagendorph:
As one of my regular agent blog reads once stated, lack of a query response is the same as a form rejection. So, as I absorb this advice and rack up my next round of queries, let’s check out some more good advice from our favorite literary agents.