Tag Archives: rejectionist

Lit Agent Links – Queries, Book Deals, and a Day in the Life

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First of all, let me do a favor for Jessica at BookEnds LLC, and literary agents everywhere, by reminding all of you prospective authors out there that a “novel” is a fictional narrative longer than 50,000 words.  There is no need to say “fiction novel” and no reason to say “non-fiction novel.”

And now, let’s go on to the links! Continue reading

Lit Agent Links – Pitches, Strike-Thrus, and a Webinar!

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Here we are at the beginning of another week, on a day that happens to be the anniversary of several significant events in the history of written things. 

Four hundred eighty years ago today in London, a list of heretic books was ordered burned.   A short 13 years later on this date, Copernicus published the landmark work on the heliocentric model of the solar system, De Revolutionibus.

On this day in 1610, on the 3rd anniversary of the founding of Jamestown, Sir Thomas Gates establishes a draconian civil code for the colony.  (Fourteen years later to the day, Virginia is declared a failure and its charter is revoked.)

This is also the birthday of magazine and newspaper publisher Samuel Irving Newhouse (1895-1979) and United Press International (1958). 

Now, on to the book-oriented side of publishing, with this week’s literary agent links! Continue reading

Literary Agent Links – Misconceptions, Cognitive Bias, and Demons

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Oh, we have a big ol’ bunch o’ literary agent links this week, my friends.

FYI: Jessica at BookEnds will not consider representing you for an up-front payment in lieu of or in addition to a commission, and she probably won’t click a link to a video query, but she will answer a lot of questions about submitting a partial.

At Dystel & Goderich, Jane explains how the submission process works, Miriam throws in her two cents about thrillers, and Jessica dismisses a few misconceptions about publishing.

Nathan Bransford dives into hard-sell query letter subject lines, answers ten questions about self-publishing, and points out the literary impact of one of my favorite cognitive biases: the Dunning-Kruger Effect.

Janet Reid reminds us to be careful with queries and death threats, while Nathan Henrion wonders if fiction writers can mimic musical artists.

Finally, the Rejectionist discusses recent demonic rejections, while Rachelle Gardner discusses freelance editors and how long the process takes from submission to hitting the shelves.