Tag Archives: writing

Curing The Heartbreak of Being Published.

Posted on by

I love this article.  It is realistic and honest, even brutally so, but tough and helpful. Love it, love it, love it.

In a blogosphere where so much of what’s aimed at the aspiring writer is positive-thinking pablum, author Ruth Harris offers us some warnings, some disillusionment, and some practical advice on how to get over it all, in her “6 Prescriptions To Cure The Heartbreak Of Being Published.” 

The comment thread is also an eyeful (and a mindful) as well.  Kudos on a fantastic piece of advice!

Stephen King on Tabitha – Selected quotes from “On Writing : A Memoir of the Craft”

Posted on by

I was hesitant to read Stephen King’s On Writing because I was afraid I would find little in it that was unexpected.  Keep sending out queries, ✔ check.  Don’t use this or that part of speech except when it works, ✔ check.  Read a lot, ✔ check.  Write a lot, ✔ check.

But, I did finally relent, and one key theme in the memoir struck me as more insightful than anything I had read about writing for years.  In fact, I think it merits a book of its own.  I am talking about the critical influence of people other than the writer in the success of that writer. For King, the most important other-than-the-writer person is his wife Tabitha.

No matter how important individual determination might be, for a social creature like Homo sapiens there is no such thing as individual success.  All success is cooperative.  There would be no Stephen King (as we know him) if there were no Tabitha King.

So, today I want to share what I feel are the most revealing and inspiring quotes on Tabitha from On Writing. Continue reading

Best First Lines (according to Leith) – Part 3

Posted on by

In part one of this series, I discussed the pros and cons of insisting on killer opening lines, how it serves the interests of agents and editors more than readers, yet how a strong first line can still lend an air of dignity and confidence to any story.  In part two, I presented my favorite first lines based on engaging ideas.

Today I want to dig into my second list of Best First Lines, six of them, dedicated to openers that present the reader with an engaging character.

You might think that the “engaging character” in question would always be the first-person narrator but, as we’ll see, that’s not always the case.

Continue reading

Who Sees What When Cultures Collide?

Posted on by

In a damn* interesting piece yesterday at Talk To YoUniverse, Juliette Wade discusses how writers can navigate the differing perspectives of characters inside and outside a culture group.

She uses her own experience as a foreigner in Japan who speaks Japanese “too well,” but lays out a set of general principles writers can use to make the meeting of any two cultures seem more authentic, whether they are writing historical fiction, fantasy, sci-fi, a modern realist tale about culture clash, or even a story about the distinctive culture of a single family.

Enjoy “Insiders and Outsiders.

_

* Taking Mark Twain’s advice. Sans editors.

Four Approaches to Female Characters in Historical Fiction and Fantasy

Posted on by

You’ve come a long way, baby! I mean … um … ladies.

Women have made a lot of progress over the past century, particularly in the Western world.  Western readers in the 21st Century have a low tolerance for the sort of overt sexism that readers of previous eras — and in broad stretches of the map even today — would simply take for granted.  This puts a lot of pressure on writers of historical fiction and fantasy set in a fictional past.  How can we tell a story with female characters which won’t offend (or worse, bore) modern readers, but which also doesn’t seem hokey in its chronological context?

Well, there are at least four approaches to this dilemma…
Continue reading

Story structure helps your story fly

Posted on by

Some writers might dismiss the concept of story structure as contrived of stiflingly un-artistic conventions, a set of gimmicks reserved for mere “genre” fiction, i.e. stories with (allegedly) little importance.

You want a story with weight and seriousness? Violate the rules!

Others might obsess about their stories adhering to the proper pattern, as if they are filling out a form.  What page is the Inciting Incident supposed to occur?  Where’s my guidebook?

There is a middle ground, my friends.

Continue reading

My Top Fiction of 2010

Posted on by

I have a Top Book of 2010.  Yes, a book.  Singular.

I was considering posting a Top Books of 2010 list.  After all, that’s what people do. The New York Times did it, Publishers Weekly did itThe Daily Beast did it, The Huffington Post did it, you get the idea.

And, if all these guys are jumping on the literary soap box, so would I.  And I eventually did (see the bold, red text below) but not in the way I expected.

Continue reading

Luring the Kids into the Unsustainable Literary Free-For-All

Posted on by

The Cult of Universal Authorhood now has a youth recruitment program. 

Created by former New Yorker managing editor Jacob Lewis and current New Yorker staff writer Dana Goodyear, it’s called Figment.com, conceived as a sort of Facebook for young adult fiction, where teens can “write whatever they wanted in whatever form they wanted.”

Continue reading

Odd Thought on writer priorities

Posted on by

procraftinate /pro-kræf-ti-neit/ v. – to put off writing and sending query letters to literary agents so one can continue researching, writing, and rewriting fiction.

Walking backward into reality

Posted on by

So, I walked to work today.

Those of you who know me RT might be saying, “Why did you walk so far?!”  Well, it’s only eight and a half miles, and I had several good reasons — all of which can help improve your writing.

Continue reading