This morning, I am sitting here in the Jolt’n Bolt Coffee and Tea House. My laptop is hooked up to the free Wi-Fi and I am online working on my WIP short story. Ah, living the cliché!
I realize that what I’m doing is the premise of a thousand cynical jokes about writers writing in public. The point of writing in public is to be seen writing, right? So that some non-writer will notice us and maybe — please please pleeeease — ask us what we’re writing!?
Well, let me tell you about Jolt’n Bolt early on a Saturday morning. A few people come in, grab a coffee, and head right back out. There weren’t more than a couple people in here at a time until around 0830. The only attention I’ve gotten was from the fine employees behind the counter and one customer’s curious beagle.
This is cool with me, because I don’t write in public to be seen by the public, and I resent (just a lil bit) the amateur psychoanalysis behind the presumption that I am here to engage in writing-as-conversation-starter. And, I bet I’m not the only writer who feels this way, so let me kick this dismissive stereotype in the shins for a moment.
This week’s writer links begin with two approaches to critique groups: Becky Levine tells us
Okay, let’s kick out some links from publishing and editing professionals. It’s my slimmest category of link soups, but this week’s ingredients are tasty indeed.
I haven’t posted links to literary agent blogs for a while — in fact, not since I
Funk. In a funk or blue funk, To be. The word may derive from Old French funkier, ‘to smoke’, though the connection is uncertain. A funk is a state of apprehensive fear or abject fear. The word first appeared at Oxford in the first half of the 18th Century.
Regular readers might have noticed I have a peculiar interest in colonial America, including the Seven Years’ War, or (as it is generally called in the United States) The French and Indian War.