Tag Archives: ebooks

Amazon’s antagonists are crooks, liars, and Islamophobic bigots

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AppleFrom the New York Times:

A federal judge on Friday approved a settlement in which Apple could begin paying $400 million to as many as 23 million consumers related to charges that it violated antitrust law by conspiring with publishers to raise e-book prices and thwart efforts by Amazon …

Apple initially agreed to pay up to $400 million to settle the class action in June, ahead of a damages trial set for two months later in which attorneys general in 33 states and class-action lawyers were expected to seek up to $840 million …

The suit accused Apple of being a “ringmaster” of a conspiracy with the five major publishers to raise the average price of e-books from the $9.99 price that Amazon had made standard for new e-book releases. Simon & Schuster, HarperCollins and the Hachette Book Group settled the day the case was filed; Penguin and Macmillan settled months later.

Read the rest here.

And, to reiterate, I recognize the economic danger of Amazon’s size, but (a) Amazon is nowhere near a monopoly or monopsony, (b) it was Amazon’s competitor Apple that showed its willing to break the law to the rip off readers, and (c) the Big Five were an economically dangerous cartel long before Amazon’s first 1’s and 0’s hit the Internet, and they prove their intentions to behave as a cartel again and again, to the detriment of readers and writers.

The facts in this scandal make the deluded National Book Awards polemic delivered by Ursula Le Guin, who is otherwise a remarkable advocate for literature, all the more tragic. Continue reading

Passive Guy shows how Hachette is shooting itself in the foot

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jnlThe Passive Voice blog (“A Lawyer’s Thoughts on Authors, Self-Publishing and Traditional Publishing”) has posted an extensive quote from GigaOm on the details of the recent Amazon-Hachette deal.

But, what I found more interesting was the Passive Guy‘s economic analysis of traditional publishers’ myopic and desperate tactics. The bold emphasis is mine:

Since Big Publishing has attempted to use ebook pricing to protect the sales of physical books in physical bookstores in the past, PG suspects it will continue to do so in the future. If this is the case, Hachette ebook prices on Amazon will be higher than Amazon would set those prices if the folks in Seattle had unfettered pricing discretion.

If PG’s suspicions are anywhere close to correct, it appears that indie authors will continue to be able to undercut the price of ebooks from Hachette while earning royalties from KDP that are much higher than Hachette authors receive.

PG says that indie authors are much smarter about pricing ebooks on Amazon than Big Publishing is … Like Amazon, indie authors don’t have any legacy sales channels to distract them from setting an optimum price for ebooks.

Trying to protect a legacy business with legacy margins is a classic mistake that established business organizations make when faced with a technology disruption that allows lower-priced competitors into a marketplace. Doing so allows the lower-priced competitors to survive and thrive. And eventually put the legacy model out of business.

Check out the rest at The Passive Voice.

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What Has J Been Reading? [Birthday of the Federal Reserve and LSD, 16 Nov 11]

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I finished Charles Bukowski‘s Pulp, and now I must say that I love it.  It’s the most brilliant piece of crap I have ever read, filled with absurdities and despair and flippant disregard for social norms.  Dedicated “to bad writing” it lives up to that threat, but it’s bad writing as obviously written by a writer who knows he’s writing badly.  The result is hilarious.

We now know what color moths were way back at the dawn of the Age of Mammals.  How? Scientists are some clever motor-jammers, that’s how.

At Melville House, a couple of good stories: Continue reading

Publishing Links – Real Places, Mythical Editors, and a Wet Blanket on Ebooks

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Oh where does the time go?  Is it Thursday already?

This has been quite a busy week in my pay-the-rent job, which goes a long way toward explaining why the blog is a little slim this week — and shifted one day to the right, as they say in business speak.  (At least in English, they say this.  I wonder if Arab businessmen postpone events ilá yasár or “to the left” …)

Enough chitterchat. On to the publishing links!

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Publishing Links – Paragraph Bombs and the Editor's 30 Percent

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Happy Friday, loyal readers and visitors future loyal readers!

It has been a crazy week, from figuring out that Dan Brown is lately more popular than the Bible to learning that the Hulk is now a literary critic. My favorite Lit Crit Hulk observation: “HULK KNOW IT PASSE TO COMPLAIN ABOUT TWILIGHT FRANCHISE, BUT HULK STILL WANT TO SMASH EVERY GROWNUP HULK SEE ON TRAIN READING THAT CRAP.”

(Hello, Xbox?  Wii?  Marvel Superheroes vs. Twilight characters, please.)

So, a crazy week, but you know what’s not crazy?  Checking out this week’s links from publishing industry pros:

Continue reading

Publishing Links – Titles, eBooks, and Sticking to Your Story

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I have received a few submissions at Facebook for the graphic icon for “Reading Cats,” and I should have the final decision — and a developed icon — by the end of the weekend.  Thanks to all of the entrants, and a great looking bunch of felines; for your own safety, may they never learn to read!
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And, without further side-lining, let’s get to what you clicked that link to find: publishing industry professionals offering up their advice and opinions on books, writing, and all things literary!  Continue reading

Lit Agent Links – Bookshelves, eBooks, and Lots of Query Advice

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Okay, so I haven’t dropped a chain of literary agent links since April.   Throw something heavy and hard at me. (I can take it.)

But, seriously, moving across town without hiring a moving company takes a lot out of a guy, especially when most of what you own consists of boxes and  boxes of books.  Kindle is looking real nice right about now.

So let’s get to those links!

Dystel & Goderich doesn’t disappoint!  Look at what the folks there have served up lately:

Jessica at BookEnds dives into the thorny issue of getting published after being self-published, and answers questions about resubmitting a reworked query letter, the purpose of query letter guidelines, and morality clauses in YA/MG contracts.  She also warns us that confidence in a query can backfire.

At her Pub Rants blog, Kristin compares different POVs, explains why enhanced ebooks will cause havoc, and tells writers why highlighting your age in a query is not a good idea.

Nathan Bransford reminds us that every writer gets rejected.

Rachelle Gardner at Rants & Ramblings reveals the secrets of a great pitch.

Enjoy!

Publishing Pro Links – Sweet Little Soup

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Okay, let’s kick out some links from publishing and editing professionals.  It’s my slimmest category of link soups, but this week’s ingredients are tasty indeed.

For example, there’s a bit of hope for authors having a hard time breaking into the industry: Eric at Pimp My Novel is wondering if print-on-demand is the future of print, while Alan Rinzler at The Book Deal explains how self-publishing can lead to a real book deal.

Moonrat at Editorial Ass explains what the standard submission process is like, and the Moby Lives blog tackles a slew of publishing issues: the new ISBN format, the trouble with iPad’s text-reading functionality, and 21st Century information overload.

The Latest From My Fave Agent Blogs

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We are back around into the lit agent arc of my new link soup cycle.  (Those of you who missed the big three-way split … psht!  There’s an RSS button in the sidebar now.  No excuse!)

Have fun; and if you know of a fantastic lit agent writing a blog I’m missing, let me know!

Jessica at BookEnds tells us how to submit a partial, and how to find agents and publishers.  She also published an updated version of her publishing dictionary, which reminds me that I have to keep mine updated.

Jennifer Jackson responds to reader questions about queries that don’t follow her agency’s guidelines, Kristin Nelson rants about the agency commission model for ebooks, and Rachelle Gardner says, “Let’s Hear It For Old Fashioned Books!”

Finally, Lucienne Diver wraps up her Debut Week series of guest blogs (which I featured in my last writer link soup) with an agent’s perspective.

Enjoy!

Is Publishing's Approach to Digitalization Upside Down?

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I wouldn’t normally link from here to an explicitly political site like Dros or Kudge (or whatever), but Huffpost has an interesting piece about publishing’s approach to product digitalization.

Most intriguing to me was with the following not-so-flattering description of the development approach publishing firms take, which could spell trouble in the digital age:

The “somebody do something that works so we can copy it” mentality duplicates the … attitude espoused by long-time executives in music who simply could not or would not question the viability of the professional cocoons they’d built for themselves …

What offed the music business — and what the publishing industry is facing — is a corporate structure built to churn out hits to subsidize an entire product line. Rather than developing artists, exploiting regional marketplaces, and building financial models that can easily support a mid-range list, both industries focus on entertainment at the expense of art and expression.

(Difference between selling entertainment vs art? Entertainment starts with the customer and works back to the product. Art begins with the product and works forward to find/create an audience.)

Thoughts?  Agree? Disagree?