Tag Archives: BookEnds

Writing and Publishing Round-Up

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Yes, there were other things going on this week in publishing beyond half the world calling the iPad a savior and the other half poo-pooing its ability to spark a revolution.

Lydia Sharp at The Sharp Angle navigates a middle course to calm the nerves of writers who fear ebook piracy in the wake of Apple’s iPad with some very instructive anecdotes about how free can sell.

The ever-prolific Jessica at BookEnds, LLC, serves up a triptych of good info on: backing up your data, interpreting long query response times, and how agents are weathering the recession.  BookEnds also hosts guest writer Becky Levine, who advises writers how to find a critique group that’s “right for you.”

In the realm of publishing-related graphics, Michael at Dystel & Goderich discusses the perils of book covers, while Janet Reid provides photographic evidence of the role Alces alces plays in certain writing guilds.

Kristin Nelson explains why “often the deciding factor [for sample pages] is not whether the writing is good or not but whether the voice fits an agent’s taste.”  And Jennifer Schuessler at the New York Times explains reader boredom, why we’re so hesitant to admit it, and how it can lead to ecstasy.  And, finally, Rachelle Gardner explains how to become an editor or agent

Let’s just say there’s a lot of explaining going on.

A Baker's Dozen Publishing and Writing Links

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Ever wonder why you’ve never received thirteen of anything for the price of a dozen at any bakery you’ve ever visited?  Well, wonder no more, because there’s no point in worrying about it.

And, while you’re getting over your disappointment, enjoy the follow “Baker’s Dozen” links on publishing and writing!

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Publishing & Writing Links – Rising From The Old Year's Grave

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I could literally fill one of my typical publishing links entries with “end of year stats” from various agents, and I encourage writers to go out into the agentosphere looking for them, because their variety provides some real insight into the diversity of the literary representation biz.

But no, I will not roll out a runner of stat links.  Instead, I offer a list of recent writing and publishing links that seem curiously bound by the themes of fear, death, and the macabre, perhaps more appropriate for this dark time of year than it might seem.

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Questions Answered this Week, by Lit Agents

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Authors are overflowing with two things: stories and questions for literary agents.  This week’s publishing links are dedicated to the latter.  Our cupth runneth over!

Got a question?  Read on… one of my favorite literary agents may have the answer.

Lit agent Jessica at BookEnds responds to a question about the submission process with both good advice for authors, and some pointed commentary on agents who insist on a “no simultaneous submissions” rule.  Hint: they don’t come off well in her analysis.

Chasya at Dystel & Goderich also poses a question from a blog reader — “What are the biggest mistakes writers make when pitching their work at a conference?” —and publishes responses from several agents at the firm.  Bonanza!

The Editorial Anonymous blog takes on the mysterious rejection “Not for me, thanks” and what it really means in all of its possible permutations. (Warning: may induce chuckling.) Thanks to Janet Reid for pointing me toward this one.

Agent Kristin Nelson answers two series of questions this week (count ’em: one! two!), tackling issues like revisions, the struggling economy, and angels vs. vampires.  (My initial thought: both groups are immortal but only one is sparkly and vaguely pedophilic?)

If I were going to ask a literary agent a question, it would probably be about the use of pen names.  Lo, and Behold!  Nathan Bransford has answered that very question in a recent blog.

Author and Knight Agency lit agent Lucienne Diver tackles the publishing buzz question of the year: “Can any device save publishing?”  She answers the question by questioning it.

HIGHLIGHT LINK DU JOUR DE LA SEMAINE: At the Book Deal blog, publisher Alan Rinzler answers some fascinating questions about writing in light of discoveries in neuroscience.  You don’t have to write cyberpunk to appreciate these methods for hacking your readers’ brains.